Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Maso di Banco
St Sylvester Sealing the Dragon's Mouth

ID: 33329

Maso di Banco St Sylvester Sealing the Dragon's Mouth
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Maso di Banco St Sylvester Sealing the Dragon's Mouth


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Maso di Banco

Italian Early Renaissance Painter, active 1320-1350  Related Paintings of Maso di Banco :. | Tital of Peasant | Giovane madre col figlio | Virgin Mary on the dragon surrounded by angels | The Baptism of Christ | Drei badende Frauen |
Related Artists:
Maerten Jacobsz van Heemskerck
1498-1574 Flemish Maerten Jacobsz van Heemskerck Gallery
School of Latium
First half of the thirteenth century
Anthonis Mor
(c. 1517 - 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis, or Mor van Dashorst, Antonio Moro, Anthony More, etc., but signed most of his portraits as, Anthonis Mor. Mor was born in Utrecht, Netherlands by some estimation between 1516 and 1520. What is known of his early life is that his artistic education commenced under Jan van Scorel. His earliest work is probably a portrait at Stockholm, dated 1538. A group of Knights of St. John, at Utrecht, supposed to have been painted about 1541; a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; together with the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works although their authenticity has not been proved. In 1547, he was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527-1598) traveled around the Netherlands to present himself as the future ruler. Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known) where he copied some works by Titian, notably the Danaë.






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